Halloween 2008:
Happy Halloween Enenurians! Everyone knows I love this time of year and also the theme of the festival of the dead and the macabre in general so must make a Halloween post. I've got my pumpkin carved, candles lit and fake skull on desk - wonderful time to stumble on something fresh about ne.IZI.gar or the Mesopotamian festival of the dead!
(Im a creepy cowboy this year!)
(Acrtually, Im a creepy cowboy everyday.. o_0hehheh)
(Look - candles. I told ya)
On that note I am at this moment reading through some of D. Katz excellent material on the Netherworld which Madness has supplied for us on the
pool the resources thread (in a very timely manner). So I will be taking notes this year before going out and dancing, possibly drinking, and before I eat all the Halloween candy before the kids start showing up. While I hope to find something that touches on the festival, this can't be guaranteed - but I certainly will note funerary stuff and stuff to do with the dead soul at the least!
Dina Katz is an ANE researcher based out of Leiden in the Netherlands I believe. Her often cited (at enenuru anyway) book "The Image of the Netherworld in Sumerian Sources", 2003, is an exhaustive and highly specialized look at the Netherworld - she furthers this examination with the two articles I am reviewing today:
a)
Death they Dispensed to Mankind: The Funerary World of Ancient Mesopotamia, in Historiae 2, 2005
b)
Sumerian Funerary Rituals in Context, in Performing Death: Social Analysis of Funerary Rituals in the Ancient Near East and Mediterranean, 2007
Katz on IM and Gidim/
I have in other places briefly mentioned Katz' commentary on the Sumerian concept of the body and soul, back on the
Living Soul in Sumer thread (which badly needs to be updated by now.) An interesting discussion occurs in her book from 2003 when she discusses IM and GIDIM, and on that thread I had summed this as follows:
Living Soul in Sumer
(Katz:)
"In principal the idea is simple, the difference between life and death is the difference between a lively human being and his motionless corpse. Thus, the breath that stops after death makes the difference; it appears as the element that animates the body and endows it with the human faculties, speech, senses, and emotions- namely, with a soul. After death, during the performance of the funerary ritual the soul is released from the body to ensure the continuation of its existence as a spirit of the netherworld. Then the body is interred to perish
"So she is saying here that breath as the animating factor is in effect the soul. This is "simple" enough at face value, a challenge to address textually and mythologically I believe. In the next sentence Katz says:
"The soul that leaves the body during the ritual to become a dead spirit is designated im [meaning] "wind." This wind image indicates that the soul was actualized in the breath."
If this "indication" is accurate, it would imply that
A) the breath/soul was present in the body before death thus a living soul
B) This breath/soul is transformed or converted in some way to wind/im>Gidim during funerary rituals
These realizations led Katz to further suggest a consciousness of or inclination toward a concept of dualism among Sumerian thinkers: "The concept of dualism, that virtually humankind constitutes a unity of a living soul within a perishable body, mitigated the contradiction between perceptible reality and the belief in survival after death." So a human was at the same time man and living soul - a ghost (gidim) was not precisely that living soul. How did the soul change?
Transforming IM to GIDIM/
"Evil spirits moved freely in and out of the netherworld, not so with human beings. Their journey to the abode of the dead is the liminal phase during which the soul is transformed from 'wind' to 'ghost'.
Katz 2005 (a)
Katz special insight into these fascinating conceptual processes stem mainly from her study of materials pertaining to the funerary rites of the Sumerians. The scarcity of these textual sources and their challenges require long consideration and careful study, and Katz' 2007 article (
b) is her best discussion yet on the subject. New here seems to be an examination of a small economic text -
TIM 6 10 - which discusses what offerings are to be given on the occasion of the funeral of Tezanmama - a daughter of Shulgi.
TIM 6 10, see CDLI P134015
The text conveys the following specifications: "[
1] fat sheep for when the "wind" (/im/) of Tezenmama was seized. The first day. 1 big goat for Ninsun, (and) 2 fat sheep when the wooden altar (ĝeš-a-naĝ) of the ghost (/gidim) of Tezenmama is performed. The eighth day." Katz notes on this: "Between the two rituals the /im/ became a /gidim/, a ghost. Therefore, we may conclude the /im/ designates a spirit still in the form of the breath, which is caught up in the body on the moment of death - the dead soul if you like. And /gidim/, however, is the breath after it was transformed into a ghost. How /im/ changes into /gidim/ we learn from the
ritual of Egime who was instructed to pronounce the formula "his /im/ is released/."
Some idea of burial or funerary rites can also be found on the
Scurlock's Death and Afterlife thread, where I quoted one of the two main Funerary texts that Katz has referenced in her 2003 work. The other text is the one she just now mentioned, the
ritual of Egime, which Egime the sister works to release the IM of Lulil. Egime is a name which means "my sister", it is a generic name and Katz explains it may represent figuratively any sister or women in this cultic role - Lulil means literal "man-spirit" and is again generic, the name means the spirit of the man dying, the spirit which is at the same time undergoing the change this ritual ensures. The text is beautiful as is the ceremony which was conducted, one can imagine, with cultic precision but at the same time with the tenderness or fondness of a final rite:
Ritual of Egime (
Lulil and his sister)
The brother answered his sister:
Release me my sister, release me
Egime release me, my sister release me
Sister, do not reproach me, I am not a man who can see,
Egime, do not reproach me, I am not a man who can see,
My mother, the exalted lady, do not reproach me, I am not a man who can see.
After you have called my "his spirit is released" fetch me the bed!
Set up a chair and seat the statue (on it)!
Place the garment on the chair and cover the statue (with it)!
Place the bread offering and wipe it!
Pour the water into the libation pipe, pour it in the dust of the netherworld!
Pour out the warm soup(?)...!
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In these funerary instructions we see therefore, that a spoken formula,
his spirit is released, "liberated the ghost from the flesh", and transformed IM to GIDIM. After consideration of the implications of these texts, and due consideration of the use of figurines (note in the above, the "statue" mentioned represents the departed ghosts - the actions performed on it are transfered to the departed) - Katz comes to the following surmises:
- It is possibly or likely that first the deceased was buried, because the the statue would serve to represent the deceased, meaning the corpse was not present.
- Then, after burial the release was performed, changing IM to GIDIM. Thus the departing would find the gates to the Netherworld from the grave - and the living would not encounter the Gidim.
- "Presumably, the full funerary ritual was the magic power that could turn the grave from a mere pit in the ground to a gate the the world of the dead."
Looking back to the Festival of Ghosts
Funerary rites and the Festival of the Dead?/
Katz 2007 treated an additional text which is quite significant for its wealth of information- It is an economic text which records the sacrifices which are to be made on the occasion of the death of the Ur king Šu-Suen. The proceedings for this king`s funeral stretch across four days, and involve grand food offerings to Netherworld gods Ereshkigal, Ninazu and Ningishzida, as well as offerings to the "wooden altar of the spirit of the breath" - (the IM of the king as the author understands it.) This economic text adds substance to the literary works like
the Death of Gilgamesh, and
the Death of Ur-Nammu which list offerings to be to similar deities in anticipation of the departing of the spirit.
Certain of the offerings made in the ne.IZI.gar festivals were made to the deities as is attested by what evidence remains - economic texts having to do with the rites of the temple during these festivals. An exception, interestingly, is a record that preserves offerings made at the Ur ne.IZI.gar festival to Šu-Suen himself - similar in nature to his own funeral it would seem. Cohen states this exceptional ne.IZI.gar festival (in which the offerings on the economic texts are recorded as dedicated to a dead king and not to netherworld gods) may have been arranged by Ibbi-Suen who had just succeeded Šu-Suen. (As Sara has also mentioned above).
When we deal with other proposed aspects of the ne.IZI.gar festival such as the Cohen`s idea of offerings made by each family to returned ancestors, evidence in more indirect than any economic tablet to be found. We know which ghosts return on those nights, thanks to Cohen`s translation of those lines from the Death of Gilgamesh includes the lines:
"Let him set up a threshold there (as bright) as the moon
(for) all mankind, whatever their names be,
(for those whose statues were fashioned in the days of yore"
Those entering the threshold, the gateway, to the world of the living that night are those whose statues were made in
the days of yore - ancestors who had been sent off with a funerary rite that included the use of a figurine (statue) as in the
ritual of Egime. While on the official level the scale of sacrifices and the deities receiving may have been similar during the ne.IZI.gar offering, and during Royal funerals we know from literature, for the motivation of the exchange between between living and dead that took place on the family level we may find a better idea in the funerary rites and ancestral worship such as Katz explores or such as our new member Sara explores. It is at length the fulfillment of an annual cultic obligation that only starts with the grave, and only ends at the limits of familial loyalty.
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