More from Rencontre 62
In the above picture, I have encountered recently joined enenuru member, ninisina, who I convinced to join me for in this photo. Selfies are really not a thing for me, however meeting an enenuru member in person is a rare occasion for me and I like to mark those occasions. Although there was that time that Sheshki, Darkl2060, Andrea and I met in Leipzig, see
here.
On another side note, one of the things I enjoyed at the Rencontre were the many stories and discussions of Åke Sjöberg which were related in sessions given in honor of the late scholar. These perspectives were given often by his former students and colleagues. The history of scholarship at the U. of Penn. was well represented with some senior scholars (such as Barry Eichler and Jacob Klein) recalling the days before Sjöberg when S.N. Kramer was in charge of the tablet room, and even before that, the days when his predecessor, Edward Chiera, was in charge. Reading the works of S.N. Kramer, and even his autobiography, I always got the sense of a very welcoming person always trying to infect you with his own sense of infinite affection and intrigue of Mesopotamia - I always imagined him to be exceedingly welcoming. This image was challenged this week however by the impressions of those people who actually knew him. Under Chiera and then Kramer, the tablet room at Penn. was strictly governed and rather closed off, apparently Sjöberg once remarked that on arriving at Penn. 'Kramer slammed the tablet cabinets shut on my fingers.' And when Cooper was remembering Civil's scholarship he remarked 'Kramer, as you know, was not given to praising other scholars' (exception: Civil). But the point of these insights about Kramer was really to form a backdrop and contrast with the attitude
of Sjöberg, who, when he took over at the U. of Penn. markedly and perhaps pointedly upended the policies at Penn., creating an atmosphere of openness and opportunity. He selflessly shared his ideas and information with all interested, and opened up the cuneiform collection to a great extent, even allowing undergraduates access. His generosity is warmly remembered by all of his students.
On to the talks.
A paper given by J. Miller "A New OB Incantation on Snake Bite" was co-written with Andrew George (who was absent however). The tablet involved, previously unpublished, is identified as Cunes 48-09-287. The incantation deals with the harmful attacks of the
șașarum snake, previously unknown outside of lexical sources.
Lines 18-19 read:
luddīma wāšipī ludammim ša ișbatū șerram ina šiptim which Miller/George translate "I will make the sorcerers moan who caught the snake with the spell!" If this is the correct translation, it seems to imply that the sorcerers/exorcists, the āšipū, have behaved maliciously at some point, catching snakes and unleashing them on man. In the question period afterward, I pointed out to the speaker that in the ED incantation corpus, Enki is known to send out harmful snakes, according to M. Krebernik. However, a member of the audience suggested that the verb translated 'moan' could be interpreted 'murmur' i.e. 'I will make the sorcerers murmur'. If this is correct, these lines do not necessarily imply that the exorcist/sorcerer acted maliciously, which is likely preferable since it contradicts the role of the āšipu in the rest of the corpus.
A paper given by J.S. Cooper "Enlil and Namzidtara" . I have seen the name of the gudu4 priest protagonist spelled Namzidtara or Namzitara, I think Cooper spells it with the the Namzidtara.
We have discussed this myth to a great extent here at enenuru, for the most part, this was many years ago. These discussions occurred on the Enmesharra thread, because that obscure dead ancestor god is mentioned in the text. See the
Enmesharra thread. The essential plot is this: The protagonist, a gudu4 priest named Namzidtara, encounters a Raven, who is actually Enlil in disguise; he identifies the god in Raven form; Enlil asks how did you know who I was?; Namzidtara answers displaying a knowledge of the specialized theology of the god, specifically, that Enlil had a fight with Enmesharra (Who is Enlil's own uncle); Namzidtara is rewarded and given a good fate.
Cooper relates that M. Civil had some time ago understood this as a variation of a sequence known in world folklore (i.e. man meets god in disguise, recognizes and identifies said god, then receives award for his cleverness).
Cooper's contribution with this paper was to make a small step forward in interpreting the phenomena of the myth, specifically, why did Namzidtarra have this knowledge, why was he, in particular, able to recognize Enlil? He notes that Nippur itself did not have a gudu4 priest, unlike other cities, this functionary was known by a different title. It means that Namzidtara was likely a priest of the Enlil-urumah-anki in Ekur-igigal (a place nearby or within the territory of Nippur, I think). (I am now unsure if I copied the name of the second location 'Ekur'igigal' down correctly - my previously reading, see below, makes me think that maybe it was Ekur-gi-gal or something to do with reeds). Here, the patron goddess was Šu-zi-an-na, who it turns out was married to Enlil, was also the daughter of Enmesharra. Hence, as a gudu4 priest of Šuzianna, Namzidtarra was well positioned to have knowledge of the dispute between Enlil and Šuzianna's father, Enmesharra. This moves us a little closer to understanding the cult and the theology behind this little story.
Again, what is new in Cooper's talk is the positioning of Namzidtara in the particular temples named above - however, the knowledge that Šuzianna married or was a mistress of Enlil, is not new. On March 7 2011, our member Muska posted the following on the
Enmesharra thread:
"In the first millenia commentary on rituals of month gu4-si-sa2 of Nippur calendar Shuziana (Enlil s concubine) called Enmesharra s daughter (Oxford Editions of Cuneform texts, XI, 69+70, I, 12-16, as quoted in two V. V. Emelianov s works on Sumerian cult calendars) but Sumerian sources as I know (Temple hymns) don t provide any genealogy of mysterious dam-banda Shuziana. "
And on Nov. 2 2008 on the
temple identification guide thread I had noted:
"Šu-zi-ana in Ĝa-gi-maḫ: Šu-zi-ana is an interesting one - you will probably note in the myth ENKI AND NINMAH that she is one of the birth goddesses who gives birth to mankind in that Sumerian story of creation.
I have wondered about her in the past, and I believe now that the poet who composed Enki and Ninmah borrowed this goddess from the local of Nippur - somehow, Šu-zi-ana seems to be mixed up in the theology of the Du-ku which we know from Sara`s work was located near the tummal complex which itself was outside Nippur proper but deeply connected with Nippurian cultic activtives, Jacobsen has said that Šu-zi-ana is to be connected with the local of Nippur and to be the concubine of Enlil. As the temple hymnsrelate she is "Šu-zi-ana, the junior wife of Father Enlil" and she is said to be the singular lady, of the Du-saĝ-dili [singular mound] which is the foundation of the 'E-ga-duda' [chamber of the mound]. I would suspect this is part of the Du-ku or Sacred Mound. Cohen's Cultic Calendar's mentions a Nippur text which refers to the ezem-gis-gi, "The festival of the canebrake" which lists sacrifices as "1 grain-fed ox for Enlil and 1 grain-fed cow for Su-zi-ana...provisions for the festival of the Canebrake." The temple hymn concludes " 9 lines: the house of Šu-zi-ana in Ĝa-gi-mah." Perhaps the 'gi' [reed/cane] in the name of this location can be seen to correlate to the ezem-gis-gi festival. There is much that remains obscure about this deities and her cultic and mythological aspects."